![]() ![]() Big masks, some six meter-high are used as aĪncient Aztecs, in Latin America, used masks to cover the faces of the dead. In Oceania, where the culture of the ancestral worship is very strong, masks are made to represent ancestors. They are also used in exorcising of evil spirits from the sick. That represent unity between men, their ancestors and animals that men hunt. Woodworkers that make complex masks made from wood, leather, bones and feathers, with movable parts and of great beauty. Pacific Northwest coastal groups have very skilled Inuit tribes of Northern America vary widely so their masks differ form each other in many ways. War masks are made to scare the enemy with big eyes, painted colors and anger of the carved face. ![]() Mask with closed eyes symbolize tranquility while bulging forehead symbolizes wisdom. Some tribes make mask as symbols of different attributes. It is believed that an antelope have thought people agriculture or that it symbolizes a farmer. One of the more common masks is an antelope. It is believed in some African tribes that they make possible to communicate with animals spirits of savannas and forests. They are made out of wood, with great skill and such masks are used in ritual masquerades of Edo, Yoruba and Igbo cultures.īeside human faces, many African masks are made in the shapes of the animals. In West Africa, they are used in ceremonies which purpose is to communicate with ancestral spirits. In Africa, ritual masks are used in many different ways. They are generally similar in their overall appearance, but very different in style and way they are made and used. Oldest masks were of ritual purpose and could be found in many places of the world. Art of making masks could be older but because of the materials used for making them (leather and wood), they did not survive to this day. Earliest use of masks was for rituals and ceremonies, and the oldest found mask is from 7000 BC. ![]() They are used for protection, disguise, entertainment or ritual practices and are made from Other theories mentioned creation masks that had the internal structure that would work as a resonator, enabling bouncing of sound waves until they exited mask in amplified form, potentially delivering more energy into the performance.Masks are objects that cover the face for variety of reasons. This theory was however never completely proven. Some historians presented a theory that some masks hid a megafon-like structure behind masks, which enabled performers to elevate the intensity of their voice and reach ears of viewers in larger open amphitheaters. #Drama masks skin#Build materials were on the lighter side, usually made from organic material like linen, animal skin and decorated with fur and other objects. Most of those early masks had the forms of helmets with face masks, small openings for eyes, smaller mouth (so that actors mouth could not be seen), and ears, all enabling actor to be able to perform freely and to orient themselves during even complicated movement routines. In addition to that, they were also very useful as disguises, enabling the single actor to switch several masks throughout the single play, thus presenting several distinct characters to the viewers. ![]() Actors who played significant roles in Tragedy plays wore boots named cothurni that elevated them over other actors. #Drama masks full#The traditional full attire of Greek theater actor consisted of chiton (turnic or robe), chlamys (short cloak), chlaina (overgarment), kothurnus (short lace-up boots), himation (overgarment), peplos (cloak) and prosopon (mask, translated from Greek as “face”). All actors on the Greek stage were men, who had to adapt their appearance with acting postures, costumes, and masks heavily when they played the roles of women and children. In the instance of multiple actors of singers wearing identical masks, the viewers viewed all those actors as a singular character. The masks were viewed as powerful tools that totally transformed actors into the desired role, with viewers not distinguishing actors from the theatrical character they were depicting (being that of man, female gods or other mythical beings). Other records say that the earliest masks were used from the time of Aeschylus. ![]()
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